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Desert Island Stitch: Pretty Hate Machine

Desert Island Stitch: Pretty Hate Machine

Nine Inch Nails is one of the few bands that has followed me through life. As a band, they continue to evolve and change [there is even a second full time member now]. There are quite a few album options that speak so clearly to parts of my life. Whether it’s the “Broken” EP that helped me get through the struggle of coming out, or the concept album “Year Zero” which was so pointedly critical of the Bush administration [I’m waiting for a redux called “Sub-Zero” as a commentary on our current administration].

I finally settled on “Pretty Hate Machine” for the fourth in the Desert Island Stitch series. It was one of those albums that dug itself into my soul the very first listen. Of course I went with the original CD cover design rather than the 2010 remaster. I think Rob Sheridan did a great job rebuilding the image, as Gary Talpas’ original design files were lost, but I love that hot pink in the original.

The cover image appears to have been run through some heavy processing, and the color saturation adds a strange effect similar to low-end video equipment capturing a hot light. The challenge here was how to interpret that digital feel on something so completely analog… aka: thread.

I’m super pleased with the final result, even if Trent wanted to get rid of the pink. Let me know what you think in the comments below!

Desert Island Stitch: Low-Life

Desert Island Stitch: Low-Life

The third outing in the Desert Island Stitch series is New Order’s “Low-Life,” originally released in 1985. This is definitely one of my favorite New Order albums, tonally its all over the place, in the the best way. From the pop jangle of “The Perfect Kiss” to the kick ass aggression of “Sunrise,” it runs the gambit. And of course the layered gorgeousness of “Elegia,” a tribute to the late Joy Division band mate Ian Curtis.

18 point aida, live area 5″ x 5″

The cover itself was a departure for designer Peter Saville. It was graphically simple, containing no secret language of coded color shapes. It also marked the first time the band themselves appeared on their album. In an interview with the Guardian, Peter said that “the unexpected thing to do was a photo of New Order.” In an even more unexpected turn, the image on the cover is drummer Stephen Morris, whose photograph was “stronger” than singer Bernard Sumners.

New Order Low-Life Crosstitch

For the piece, I debated on whether or not to include the text, as the packaging of the original pressing was a semi-transparent sleeve that the had the text printed on it. Ultimately I decided to stitch it in, and I’m glad that I did.

Side-x-side

The piece took a bit longer than anticipated to complete, but I am really pleased with the result!

Let me know what you think in the comments below!