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Desert Island Stitch: Dummy

Desert Island Stitch: Dummy

I can’t tell you where I was the first time I heard Portishead’s “Sour Times,” maybe because I was immediately swept up in that guitar strum and slow sinister bass line. I was transported into a smoke filled noir-neverland where every dark corner held a secret. The album “Dummy” is a piece of art and mood that exists in a certain era but is simultaneously timeless.

Portishead "Dummy" Cross Stitch
Setting the appropriate mood

Initially my plan was for this to be the sixth in the series, but I just couldn’t get my head around it. The cover image is slightly pixelated still taken from the video where Beth Gibbons has been tied to a chair and is being interrogated. Its dark, and its small. So I back-burned it thinking it ultimately probably wouldn’t work anyway.

As I was finishing up the Santigold piece, my thoughts kept turning back toward “Dummy.” This album is so much to me, that I just had to make it work. I pulled out the CD again, and gave it stronger consideration. Since the image wasn’t super crisp, I took that as license to be a bit more impressionist with the approach. My design called for 30 different thread colors, oddly, only 3 of which I already had in my kit. Variations in color may be slight, but the result is like a low resolution jpg, familiar, but still a bit off.

Portishead "Dummy" Side x Side Comparison
Portishead “Dummy” Side x Side Comparison

I did leave the band name off. It was a similar dilemma I had with The Cure’s “Three Imaginary Boys” where the text was so small, and a few random stitch blobs would not have actually added anything to the overall piece.

Let me know what you think in the comments below, and in the meantime, here is a little behind the scenes action of the production process… to the tune of “Sour Times.”

Desert Island Stitch: Santigold

Desert Island Stitch: Santigold

A close friend of mine turned me on to Santigold around the time she released her second album “Master of My Make-Believe.” I was aware of her peripherally, but never really listened to her. At his insistence, I gave her a proper go [see what I did there?]. My love was instantaneous, and her music quickly weaved its way into regular rotation on my iPod, switching back and forth between the first two albums.

Santigold Desert Island Stitch
Santigold Desert Island Stitch

As I passed the halfway mark in the Desert Island Stitch series, I realized that all of the previous pieces were albums that were released more than 25 years ago. I wanted this collection to be more than just “classic” albums, but to also represent modern and future classics. So even though this album may be the newest album [so far?] to be represented, its no less an awesome banger!

Santigold Cover Side x Side
Santigold Cover Side x Side

With this piece, I hand dyed the 18 point aida, and used satin floss for the gold to give it bit of a shimmer. Before starting on Santi, I had a few second guesses on floss color and finally was able to nail down a range that was similar enough but still keeps the interpretive pixelated feel that I like.

Let me know what you think in the comments below… and while I start plotting out Desert Island Stitch number seven, please enjoy a little “Banshee” from the 99ยข album.

Oh and if you’ve never seen her live, well, you are just plain missing out. Not only is she amazing, but her dancers are always serving face!